As a kid, I was always eager to leaf through an issue of LIFE. At a doctor’s office or a friend’s house or even off the rack in a store, I loved looking at the covers, the photographs inside and the stories of, well, life in the wider world. My family didn’t subscribe, so I had to hunt down issues to look at. Before LIFE, it was comic books, so my tastes expanded past Archie and Katie Keene at some point.
The photographs in LIFE captured powerful moments, whether the subjects were soldiers, politicians, athletes, poets and writers, Hollywood stars, or everyday people.
When I was in elementary school, I had the same teacher for three years in a combined class of 4th, 5th and 6th graders. It was an experiment at my school and a huge challenge for the teacher, although Mrs. Brown never let us see her sweat. One of her assignments (and one I always looked forward to) was to have us line up and flip through a stack of pictures she’d cut out of a magazine (LIFE, probably), choose one picture, and then go back to our seats to write a story using the picture as a prompt. We were given the chance to read them out loud in front of everyone. At least one kid in her class entertained thoughts of becoming a writer as a result of this opportunity. It was my favorite assignment of all time.
What did I love most about this magazine? The photographs that captured powerful moments, whether the subjects were soldiers, politicians, athletes, poets and writers, Hollywood stars, or everyday people. I must’ve been attracted to the way a picture can take you in, while giving you a chance to absorb the tiny details or the expressions on the faces. The pictures of animals could be powerful too, or funny if caught at the right moment. And that’s another thing: the humor in a goofy image, whether a person appeared to have two heads or no head or something. Babies in pots! I kept reading as I got older
The pictures in the magazine also showed what scenes of war and disaster looked like, through up close and graphic images. Unlike the brief nightly glimpses of what was happening in Vietnam, the photographs in LIFE told a larger truth.
Then there was the series by Lennart Nilsson, with images of the human embryo. If you saw those pictures, you probably still remember what they look like, floating against a black, starry background. In the 60th anniversary issue of the magazine, one of his pictures is included, with this quotation: “Maybe it starts with a kiss” (Lennart Nilsson, answering the question “When does life begin?”).
Another wonderful picture, called The Walk to Paradise Garden, was taken by W. Eugene Smith. This image was published in LIFE in 1953, then appeared in The Family of Man exhibit at New York’s Museum of Modern Art in 1955. There is joy, mystery and sweetness to this picture; the back story is one of triumph and confidence restored. Not knowing any of this, however, doesn’t take anything away from the magical quality of this picture. (I also have a copy of The Family of Man, replacing the well-thumbed copy I’d had before the fire.) I just love everything about this one.
Looking through old issues of the magazine–which belonged to my in-laws, who saved a pile of them– brought back some favorite memories and some of the more poignant events of my lifetime. (My husband wanted to save this box full of copies and I’m not sorry, even though they are pretty musty.)
LIFE magazine published its last issue on December 29, 1972. After that, there were several The Year in Pictures and other special commemorative issues. I just might be convinced to keep the ones we have, now that I have experienced the joy of looking through them again.
Today we are bombarded from all sides with images. It’s hard to absorb them all. And maybe the truth gets lost in the way we can filter, crop and Photoshop what we see. In many ways, LIFE was simpler. Sure, it reflected a perspective, but it allowed any reader to look at the events happening in the world and either linger or turn the page. I learned so much from those pages about current events, history, and the lives of the rich and famous. As a dreamy, wannabe writer, LIFE’s pages allowed me to travel and dream and make up my own stories.
In case you couldn’t tell, the photo montage on the cover of the 60th Anniversary issue is the face of the one and only Marilyn, who graced the cover of LIFE six times during her lifetime.
Risa, this is a beautiful paean to Life Magazine! I used to read it too, or at least look at the pictures, but I don’t think I got as much out of it as you did. You were a very perceptive child. I love your sentence about Mrs. Brown’s writing assignments: “At least one kid in her class entertained thoughts of becoming a writer as a result of this opportunity.” Hmmm, wonder who that could have been.
You’ve made me want to look at old issues of Life again. Maybe we can get together, with your box of Lifes and my box of Mads.
Suzy, I think a magazine extravaganza sounds like fun! If social distancing allows… Thanks for your comments.
Risa, I love this story so much! You really captured what Life was all about. That it inspired the storyteller in you is a testament to the strength of its content, and here you are telling a story about it in return. Full circle!
Thank you Barbara. This was a fun one to write, and I got to go down a rabbit hole, old school style!
Risa, what a beautiful featured image. I love your reminiscence on LIFE. Your mentioning The Family of Man brought back many visual memories. It made a huge impression on me as a kid. Wish I had a copy now. What an inspired teacher Mrs. Brown was. I can see why kids wanted to become writers. Wish I’d had an assignment like that!
Thanks, Marian. In case I wasn’t clear enough, Mrs. Brown taught all three grades in one classroom! She was amazing! Thanks again.
Oh, glad you clarified! I didn’t realize she was teaching all three grades at the same time. I thought you just meant that you had the same teacher for three years.
Suzy, I went back and made an edit to further clarify. It should make better sense now!
Risa, you really do justice to that wonderful piece of photo-journalism that I think so many of us miss. Like you, our family didn’t subscribe, but would buy special issues off the newsstand, so I saved a few of the meaningful ones (like the JFK inauguration, or Elizabeth II’s coronation), and purchased some commemorative issues for myself. The quality was always superb.
Like Suzy, I think your Mrs. Brown sounds like an interesting, innovative teacher, who really motivated you. Bravo for those teachers who inspired us! And using images from magazines…how inventive.
I still have my copy of “Family of Man” and spent lots of time pouring through it. Now I’ll have to go back to it again. Thanks for the reminder of what great photo-journalism can do.
Thank you so much for your kind words, Betsy. By all means, go back to “The Family of Man.” Its a marvel.
I love this story, Risa. What an amazing teacher you had. I would have loved to have the opportunity to write based on a photo prompt when I was that age. You really create a wonderful tribute to my favorite magazine growing up. Thanks for writing this and reminding me of The Family of Man. I think I still have that, although things got rather jumbled in my recent move. Going to look for it now.
Thanks, Laurie. I hope you can find your copy of The Family of Man. It’s easy to get lost in those images.