No Way Out

Our crowning…glory?

What teen/young adult/ more mature adult/even more mature adult hasn’t graded a day by whether it’s a Good Hair Day or a Bad Hair Day? Said grade has a significant effect on willingness to leave the house. How many untold hours have been spent attempting to coerce the dread BHD into a GHD? Taken cumulatively, this has probably affected the nation’s GDP in no small way.

My particular battle centered on super curly/frizzy hair in super cool California in the 60s with surfer girl hair the golden icon. Beach parties were a disaster. The semester of daily swimming for PE was a disaster. Sleeping on brush rollers created a fix until about noon, when the elements took over.

Finally, in junior year, I had my shoulder length hair straightened. Oh glory – I was finally like all the other girls! Then I had it straightened again and the universe told me what it thought about my denial of my true self: half my hair broke off at the roots and fell out. When I was Sixteen. Does it get any worse? Of course there would be no trimming of the tresses to even things out a bit. I just kept the very thin long part and watched as the broken hairs grew back in as a crewcut. I must have been the only girl (or boy) in school sporting two hairdos at the same time.

The hair wars never end, but there was, eventually, a valuable lesson learned by a sixteen year old girl who was uncomfortable with, and attempted to transform, her presentation to the world.

Betting on the end

... numbers corresponding to the days of the year were written on slips of paper and placed in plastic capsules, which were put into a deep glass jar (at the time I’d imagined a bingo cage).
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Enter Stage Left: The Geek

In the 70’s, we didn’t have cell phones (of any kind!).  There was no Internet.  A computer was something largely out of science fiction, or something you might use at NASA and if so, it was large, expensive, and had the processing power of your (non-Apple) digital watch today.

I remember playing a lot of video games.  It started with Pong by Atari.  Then Space Invaders, Asteroids, and Centipede.  I spent every quarter I had on a game, which was about an hour at the arcade on Saturdays.  If I paused a lot between them.  That was my introduction to geek culture.

Then, in 1982, my parents bought me an IBM PC.  It had no hard drive and two floppy drives.  I used it to write reports but also started getting into writing programs for it.  I played text-based games like Zork (which I managed to acquire for free somehow) and bought early issues of PC Magazine and drooled through the pages as if it were porn.

At my core, I was always a geek.  I wore glasses, poorly fitting pants, and was picked on in school.  I valued my schoolwork and self-taught myself a musical instrument.  Soon after getting the PC, however, I started JV sports, became more “cool”, and focused on getting into college, which required (or so I thought) a lot of extracurricular activity.  The geek was being repressed.

That repression went on until 1989 when I completed my coursework to be a Mechanical Engineer even though my school practically invented modern Unix (X11, actually, for the über-geeks among you).  However, as with other aspects of my life, I eventually came out of the closet and embraced my geekdom.  I played catch up with 10 years of computer technology and am a software professional today.

I feel like I’m home again.

Can’t Bust ‘Ems

I still own a pair of black Can’t Bust ‘Em dungarees that I wore while working as a timber cutter at the Buckshot mine in Eldora, Colorado. I don’t wear them anymore — I’m a little beyond a 1970 waistline — but the rugged old pants still sport the brass buttons sewn onto the beltline to hold heavy red suspenders. I needed the suspenders to hold up the thick Can’t Bust ‘Ems — worn with waffle long johns underneath, two layered checked shirts, a heavy sheepskin vest and a Carhart “chore coat,” worn shiny by the Buckshot mine’s massive white pine timbers.

I lived and worked in a Rocky Mountain collective, it was October, and I wasn’t sporting bell-bottoms and a flowered shirt. My black Can’t Bust ‘Ems formed a sturdy counterculture variant, drawn from back-to-the-land necessities in an extreme climate, where all — regardless of background — worked with their hands to civilize rickety cabins, coax ancient trucks to life, haul wood, water and coal, and wield a chain saw. My Can’t Bust ‘Em uniform provided me with a warm and loose-fitting costume for those wind-driven days at Eldora’s Buckshot mine.

In 1970, Eldora was an abandoned mining town built within shotgun range of the Continental Divide. The mine was called the Buckshot in honor of the wind that roared through the narrow venturi between the rocky top of the Divide and the dense jetstream air above.

One year earlier, a quiet clairvoyant named Arthur Sigismunde bought the Buckshot. He was convinced that the old diggings still contained ore. It was possible. Previous to our counterculture endeavor, work on the Buckshot had come to an abrupt halt in the 1950s after the two owners had gotten into an argument. While one partner drove his truck down to Denver to talk to his lawyer, the second partner drank himself nasty and lowered a bucket of dynamite with a lit fuse halfway down the vertical mine shaft. The resulting concussion sent splintered mine timbers, copper wire, galvanized pipe and a cascade of gravel, granite, and mud spilling hundreds of feet down the shaft where the whole mess fused into a massive “plug” that blocked access to the ore below.

In an alleged fit of extrasensory clarity, Sigismunde had visualized masses of rich, silver ore pulsating below the plug. He managed to convince a clique of Denver entrepreneurs, men who could smell the romance of silver in the mountains and had money to spend. Sigismunde avoided hiring high-waged miners who belonged to the United Mine Workers. Instead, he hired Eddie Williams to run the operation.

Eddie was a pal of mine. He sported a similar, lived-in uniform to mine, replete with jeans, heavy suspenders and half-leather, half-rubber boots with felt linings for the winter and sweat socks in the summer. He called them “duck boots” and loved to comment that — except for his boots — it was rare to find a duck at 11,000 feet. Eddie was my age but loved to play old-time and was considered a genuine character in the fringes of Boulder’s academic aristocracy.

Boulder’s tiny cadre of literati marveled at Eddie’s “natural” intelligence and unpretentious, cut-to-the-chase style. He and Sigismunde had drifted through many a notable conversation at Boulder parties and Eddie had done a stint as a hard rock miner somewhere in his enigmatic past. So authentic did he appear, that few knew he had been disinherited as the black-sheep son of a Boulder professor emeritus.

Eddie immediately engaged a handful other counterculture workers from the collective. The amateur miners were supposed to re-timber the mine and untangle the mass of dynamited debris that hung, suspended precariously 800 feet above the bottom of the Buckshot’s shaft. Eddie and the others were literally dismantling the floor they stood on. Far above, on the surface, dressed in my layers of underwear, Can’t Bust ‘Ems, checked shirts, burnished leather vest, chore coat, and a blue watch cap, I roared through timbers with my screaming Stihl, ecstatic with the intensity of our wild adventure into the Colorado quartz, while the wind catapulted the sawdust past my leather- and wool-clad shoulders, over my blue watch cap and steel-toed boots, blowing like snow down the hillside.

Never had I lived further from a pair of bellbottoms.

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Read more of my work at my web site and peruse excerpts of my ‘resistance’ series @ my Amazon author page.

Fringe

In the early days of high school I went to my first concert, Frank Zappa and the Mothers of Invention. They filled the Coliseum. To me it was an Event with a capital E and I remember clearly what I wore. A white blouse of dotted Swiss with big full sleeves gathered at the wrist, a long red maxi skirt (they weren’t too common yet), and the for the big finish, a chocolate brown suede leather vest. It was just a little thing in a bolero cut, but front and back it had long leather fringe that started at the yoke and went down to my knees. Did I wear a headband or am I inventing that part of the memory?

Two brothers from New York had come to town and opened up a sort of hippie boutique. I met them when I took in my  hand beaded leather pouches, macrame jewelry and little painted cards with pen and ink poems to put on consignment. One of them was my date for the evening. It was assigned seating and he had gotten us really great seats very near the front. What a night, what a time. The only concert that came near to being as enjoyable to me was when Three Dog Night played a couple of years later. Stage craft, lighting and pyrotechnics, had come a long way in that short span of time and it was my first time seeing/hearing a Moog synthesizer. It must not have been quite as big a deal as I can’t remember what I wore.